catalogfelisia

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	<title>catalogfelisia</title>
	<link>http://www.catalogfelisia.com</link>
	<description>catalogfelisia</description>
	<pubDate>Tue, 07 May 2013 22:45:02 +0000</pubDate>
	<generator>http://www.catalogfelisia.com</generator>
	<language>en</language>
	
		
	<item>
		<title></title>
				
		<link>http://www.catalogfelisia.com/5570424</link>

		<comments>http://www.catalogfelisia.com/following/catalogfelisia.com/5570424</comments>

		<pubDate>Tue, 07 May 2013 22:45:02 +0000</pubDate>

		<dc:creator>catalogfelisia</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">5570424</guid>

		<description>Haze State: __ proposes imagining historical and anthropological urban settings through a scent-sory tableau. Taking cues from a site's existing smells/aroma, the work develops a scent cartography that juxtaposes the environment’s past with scents distilled from materials found in the present.

Installed at the exhibition Art that Iterates on Sept 4- Sept 28, 2012 taking place at Macy Art Gallery of Columbia University, the work is a remix of the laboratory and distillation apparatus that extracts the scents from the environment. But rather than recreate a functioning lab, this installation offers a conversational space as part of a documented experience.

Art that Iterates explores change as a condition of the artist's way of knowing, making and doing. Everywhere it seems, change is the cultural constant. For artists, material playfulness bounces across the threshold that separates technology from craft, pictures from sculpture and toys from jokes, from poetry. Art that Iterates celebrates this remix condition, prompting reconsideration of the artifact itself, with works that smear the boundaries between art/non-art. mediate/immediate. and viewer/participant. Artists: Beatriz Albuquerque, Kathleen J Graves, Erol Gunduz, Sina Haghani, Ethan Ham, Géraldine de Haugoubart, Daniel Iglesia, Richard Jochum, Nate Larson &#38; Marni Shindelman, Doran Massey, Sherry Mayo, Robin Michals, Jackie Pavlik, Nandita Raman, Bill Schuck, Jordan Seiler, Matt Siber, Felisia Tandiono, Daniel Temkin, Penelope Umbrico.

&#60;img src="http://payload163.cargocollective.com/1/3/103655/5570424/haze_state_art_iterates1_860.jpg" width="720" height="480" width_o="720" height_o="480" src_o="http://payload163.cargocollective.com/1/3/103655/5570424/haze_state_art_iterates1_o.jpg" data-mid="30029192"  border="0" align="left"/&#62;&#60;img src="http://payload163.cargocollective.com/1/3/103655/5570424/haze_state_art_iterates2_860.jpg" width="720" height="480" width_o="720" height_o="480" src_o="http://payload163.cargocollective.com/1/3/103655/5570424/haze_state_art_iterates2_o.jpg" data-mid="30029193"  border="0" align="left"/&#62;&#60;img src="http://payload163.cargocollective.com/1/3/103655/5570424/haze_state_art_iterates4_860.jpg" width="720" height="480" width_o="720" height_o="480" src_o="http://payload163.cargocollective.com/1/3/103655/5570424/haze_state_art_iterates4_o.jpg" data-mid="30029195"  border="0" align="left"/&#62;&#60;img src="http://payload163.cargocollective.com/1/3/103655/5570424/haze_state_art_iterates3_860.jpg" width="720" height="480" width_o="720" height_o="480" src_o="http://payload163.cargocollective.com/1/3/103655/5570424/haze_state_art_iterates3_o.jpg" data-mid="30029194"  border="0" align="left"/&#62;&#60;img src="http://payload163.cargocollective.com/1/3/103655/5570424/art_iterates_overview_860.jpg" width="720" height="480" width_o="720" height_o="480" src_o="http://payload163.cargocollective.com/1/3/103655/5570424/art_iterates_overview_o.jpg" data-mid="30029247"  border="0" align="left"/&#62;&#60;img src="http://payload163.cargocollective.com/1/3/103655/5570424/art_iterates_overview2_860.jpg" width="720" height="480" width_o="720" height_o="480" src_o="http://payload163.cargocollective.com/1/3/103655/5570424/art_iterates_overview2_o.jpg" data-mid="30029249"  border="0" align="left"/&#62;</description>
		
		<excerpt>Haze State: __ proposes imagining historical and anthropological urban settings through a scent-sory tableau. Taking cues from a site's existing smells/aroma, the...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload163.cargocollective.com/1/3/103655/5570424/prt_1367983881.jpg" />

	</item>
		
		
	<item>
		<title></title>
				
		<link>http://www.catalogfelisia.com/5569963</link>

		<comments>http://www.catalogfelisia.com/following/catalogfelisia.com/5569963</comments>

		<pubDate>Tue, 07 May 2013 22:08:02 +0000</pubDate>

		<dc:creator>catalogfelisia</dc:creator>
		
		<category><![CDATA[collective, work, south bronx]]></category>

		<guid isPermaLink="false">5569963</guid>

		<description>In 2011, Bronx River Art Center announced an exhibition program Shifting Communities that run from September 2011 to February 2012. Work Progress Collective (WPC) was invited to participate in one of the exhibition series. 

Shifting Communities highlights dynamic initiatives in culture and the arts currently at work in the margins of the art world and American society. The goal of this project is to create a paradigm where community-centric contemporary art and artist think-tanks can be a tool for public service; a language for the exploration and investigation of the broader aspects of culture and society; and a magnet that can bring different cultures and ideologies together in order to strengthen a more inclusive definition of community.  

In the fourth exhibition of the series, three collaborative projects The Work Office (TWO), Publicworks Office (PwO) and Work Progress Collective (WPC) presented workworkwork, which examines various approaches to the idea of work and how it is defined and viewed. Creating sites of work in the gallery, workworkwork investigated work as physical labor, work as symbolic labor, and work as work. TWO hired artists for a week and compensated them with Depression-era wages. PwO published a volume of analytical/speculative case studies and created an installation of symbolic objects "re-collected" from local communities of material and symbolic exchange. WPC conducted surveys and focus groups, creating generative inflows to the workworkwork process as well as a broader project archive.

In this exhibition, WPC  functions as an agency interested in the present state of socio-statistic data of jobs, employment and work; exploring the possibility that each term can exist as mutually exclusive of the other(s). Administering a variety of questions through survey and focus groups prior and until after the exhibition opened, the collective engaged South Bronx residents throughout local neighborhood areas of commerce, social and cultural activity (e.g., libraries, grocery stores, schools, churches, etc.). The research findings served as a beginning form of community engagement, as foundational project archive materials, as well as a source of local information to feed the broader collective project, workworkwork. Public opinion research findings and the archive were on display during the length of the exhibition. Gallery visitors were invited to contribute their responses to the questionnaire available at WPC’s office corner within the gallery.

The link to the online version of the questionnaire is accessible here

&#60;img src="http://payload163.cargocollective.com/1/3/103655/5569963/WPC-BRAC-2012-56_860.jpg" width="720" height="480" width_o="720" height_o="480" src_o="http://payload163.cargocollective.com/1/3/103655/5569963/WPC-BRAC-2012-56_o.jpg" data-mid="30027344"  border="0" align="left"/&#62;&#60;img src="http://payload163.cargocollective.com/1/3/103655/5569963/WPC-BRAC-2012-33_860.jpg" width="720" height="480" width_o="720" height_o="480" src_o="http://payload163.cargocollective.com/1/3/103655/5569963/WPC-BRAC-2012-33_o.jpg" data-mid="30027387"  border="0" align="left"/&#62;&#60;img src="http://payload163.cargocollective.com/1/3/103655/5569963/WPC-BRAC-2012-77_860.jpg" width="720" height="480" width_o="720" height_o="480" src_o="http://payload163.cargocollective.com/1/3/103655/5569963/WPC-BRAC-2012-77_o.jpg" data-mid="30027428"  border="0" align="left"/&#62;&#60;img src="http://payload163.cargocollective.com/1/3/103655/5569963/WPC-BRAC-2012-44_860.jpg" width="720" height="480" width_o="720" height_o="480" src_o="http://payload163.cargocollective.com/1/3/103655/5569963/WPC-BRAC-2012-44_o.jpg" data-mid="30027818"  border="0" align="left"/&#62;&#60;img src="http://payload163.cargocollective.com/1/3/103655/5569963/WPC-BRAC-2012-32_860.jpg" width="720" height="480" width_o="720" height_o="480" src_o="http://payload163.cargocollective.com/1/3/103655/5569963/WPC-BRAC-2012-32_o.jpg" data-mid="30027831"  border="0" align="left"/&#62;&#60;img src="http://payload163.cargocollective.com/1/3/103655/5569963/WPC-BRAC-2012-94_860.jpg" width="720" height="480" width_o="720" height_o="480" src_o="http://payload163.cargocollective.com/1/3/103655/5569963/WPC-BRAC-2012-94_o.jpg" data-mid="30027854"  border="0" align="left"/&#62;&#60;img src="http://payload163.cargocollective.com/1/3/103655/5569963/wpc_brac_focusgroup_860.jpg" width="720" height="480" width_o="720" height_o="480" src_o="http://payload163.cargocollective.com/1/3/103655/5569963/wpc_brac_focusgroup_o.jpg" data-mid="30027932"  border="0" align="left"/&#62;&#60;img src="http://payload163.cargocollective.com/1/3/103655/5569963/wpc_brac_focusgroup2_860.jpg" width="720" height="480" width_o="720" height_o="480" src_o="http://payload163.cargocollective.com/1/3/103655/5569963/wpc_brac_focusgroup2_o.jpg" data-mid="30028017"  border="0" align="left"/&#62;</description>
		
		<excerpt>In 2011, Bronx River Art Center announced an exhibition program Shifting Communities that run from September 2011 to February 2012. Work Progress Collective (WPC)...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload163.cargocollective.com/1/3/103655/5569963/prt_1367977149.jpg" />

	</item>
		
		
	<item>
		<title></title>
				
		<link>http://www.catalogfelisia.com/2033737</link>

		<comments>http://www.catalogfelisia.com/following/catalogfelisia.com/2033737</comments>

		<pubDate>Tue, 07 May 2013 10:03:20 +0000</pubDate>

		<dc:creator>catalogfelisia</dc:creator>
		
		<category><![CDATA[photography, collective, image production]]></category>

		<guid isPermaLink="false">2033737</guid>

		<description>&#60;img src="http://payload.cargocollective.com/1/3/103655/2033737/EL_100409_2033_forweb.gif" width="245" height="164" width_o="245" height_o="164" src_o="http://payload.cargocollective.com/1/3/103655/2033737/EL_100409_2033_forweb_o.gif" data-mid="10128874"  border="0" align="left"/&#62; I am the Co-Founder of Work Progress Collective (WPC): a hybrid identity, equal parts artist, journalist, political activist, archivist, and curious observer. The collective acknowledges the contemporary condition of art making; looking beyond the traditional artistic boundaries that place participants inside or outside, the model considers an active, implicated audience, performing collectively. 

During the Lower Manhattan Cultural Council (LMCC) SwingSpace residency in 2010, the collective engaged in and observed image-making during the current economic recession, including conducting focus groups, interviews, research outings, and producing cultural data through video, audio, and photographic means. WPC's office headquarters installation at LMCC Art Center on Governors Island presented agency findings and engaged participants in dialogue about present day image-making and consumption.

&#60;img src="http://payload.cargocollective.com/1/3/103655/2033737/wpc_lmcc1_860.jpg" width="720" height="480" width_o="720" height_o="480" src_o="http://payload.cargocollective.com/1/3/103655/2033737/wpc_lmcc1_o.jpg" data-mid="30029807"  border="0" align="left"/&#62;
&#60;img src="http://payload.cargocollective.com/1/3/103655/2033737/wpc_grid_all_5.jpg" width="670" height="867" width_o="670" height_o="867" src_o="http://payload.cargocollective.com/1/3/103655/2033737/wpc_grid_all_5_o.jpg" data-mid="10116670"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2033737/lmccpage_wpc_opencallontheroad.jpg" width="670" height="535" width_o="788" height_o="630" src_o="http://payload.cargocollective.com/1/3/103655/2033737/lmccpage_wpc_opencallontheroad_o.jpg" data-mid="10116790"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2033737/wpc_promocard_foreclosure.jpg" width="369" height="513" width_o="369" height_o="513" src_o="http://payload.cargocollective.com/1/3/103655/2033737/wpc_promocard_foreclosure_o.jpg" data-mid="10116694"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2033737/5x7_back_7.24c_lores.jpg" width="576" height="414" width_o="576" height_o="414" src_o="http://payload.cargocollective.com/1/3/103655/2033737/5x7_back_7.24c_lores_o.jpg" data-mid="10116721"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2033737/wpc_foreclosure_openhouse2_grid4.jpg" width="670" height="867" width_o="670" height_o="867" src_o="http://payload.cargocollective.com/1/3/103655/2033737/wpc_foreclosure_openhouse2_grid4_o.jpg" data-mid="10116728"  border="0" align="left"/&#62;</description>
		
		<excerpt> I am the Co-Founder of Work Progress Collective (WPC): a hybrid identity, equal parts artist, journalist, political activist, archivist, and curious observer. The...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/3/103655/2033737/prt_1367985420.jpg" />

	</item>
		
		
	<item>
		<title>Please Have a Seat (2013-)</title>
				
		<link>http://www.catalogfelisia.com/Please-Have-a-Seat-2013</link>

		<comments>http://www.catalogfelisia.com/following/catalogfelisia.com/Please-Have-a-Seat-2013</comments>

		<pubDate>Tue, 07 May 2013 10:02:12 +0000</pubDate>

		<dc:creator>catalogfelisia</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">5561306</guid>

		<description>Please Have a Seat is an ongoing project that takes cue from a particular historical snapshot during the Second Anglo-Dutch War in the 17th century. Treaty of Breda in 1667 brought England and the Netherlands into an agreement over two disputed colonies: New Amsterdam (today Manhattan) and the small island of Run in Indonesia. By retaining the island of Run, at the time the only island-producer of nutmeg, the Dutch secured a worldwide monopoly of the spice. In exchange, the English gained possession of New Netherland, including New Amsterdam among its regions, from the Dutch and changed the name to New York.

The work is interested in exploring and re-contextualizing the historical exchange through a participatory-based installation/performative act in the present-day, contemporary moment. Participants or visitors are invited to have a one-and-one conversation where a pile of edible gold-painted nutmegs are available as offerings for an exchange with any personal belongings the participants brought. At the  end of the exchange session, both involved parties signed a Deed of Exchange where each party receives the signed copy.

Beyond a symbolic artistic gesture, this exchange of both tangible materials and conversation attempts to unpack, question and reflect the notion of value, currency, exchange system, capital goods and global commodity distribution. Further, the project is interested in investigating the belief system in different cultural society and how the influence of emotion produces social relationship while testing the possibility of new modes in creating value. 

The first installment of the project appeared at the Spring Open Studio event at International Studio and Curatorial Program (ISCP) in April 2013. Below is a sample of the growing archive of the exchange. 


&#60;img src="http://payload163.cargocollective.com/1/3/103655/5561306/phas_nutmeg_860.jpg" width="720" height="480" width_o="720" height_o="480" src_o="http://payload163.cargocollective.com/1/3/103655/5561306/phas_nutmeg_o.jpg" data-mid="29988792"  border="0" align="left"/&#62;&#60;img src="http://payload163.cargocollective.com/1/3/103655/5561306/phas_overview_5_720x480_860.jpg" width="720" height="480" width_o="720" height_o="480" src_o="http://payload163.cargocollective.com/1/3/103655/5561306/phas_overview_5_720x480_o.jpg" data-mid="29988803"  border="0" align="left"/&#62;&#60;img src="http://payload163.cargocollective.com/1/3/103655/5561306/phas_overview_4_720x480_860.jpg" width="720" height="480" width_o="720" height_o="480" src_o="http://payload163.cargocollective.com/1/3/103655/5561306/phas_overview_4_720x480_o.jpg" data-mid="29988828"  border="0" align="left"/&#62;&#60;img src="http://payload163.cargocollective.com/1/3/103655/5561306/phas_overview_3_720x480_860.jpg" width="720" height="480" width_o="720" height_o="480" src_o="http://payload163.cargocollective.com/1/3/103655/5561306/phas_overview_3_720x480_o.jpg" data-mid="29988833"  border="0" align="left"/&#62;&#60;img src="http://payload163.cargocollective.com/1/3/103655/5561306/phas_overview_2_720x480_860.jpg" width="720" height="480" width_o="720" height_o="480" src_o="http://payload163.cargocollective.com/1/3/103655/5561306/phas_overview_2_720x480_o.jpg" data-mid="29988842"  border="0" align="left"/&#62;


&#60;img src="http://payload163.cargocollective.com/1/3/103655/5561306/phas_object10_860.jpg" width="720" height="480" width_o="720" height_o="480" src_o="http://payload163.cargocollective.com/1/3/103655/5561306/phas_object10_o.jpg" data-mid="29989001"  border="0" align="left"/&#62;
a coffee card for 5 nutmegs



&#60;img src="http://payload163.cargocollective.com/1/3/103655/5561306/phas_object1_860.jpg" width="720" height="480" width_o="720" height_o="480" src_o="http://payload163.cargocollective.com/1/3/103655/5561306/phas_object1_o.jpg" data-mid="29988927"  border="0" align="left"/&#62;
(Left) one peso for 3 nutmegs
(Center) Justin's peanut wrapper for 1 nutmeg
(Right) birth control rx for 6 nutmegs 



&#60;img src="http://payload163.cargocollective.com/1/3/103655/5561306/phas_object2_860.jpg" width="720" height="480" width_o="720" height_o="480" src_o="http://payload163.cargocollective.com/1/3/103655/5561306/phas_object2_o.jpg" data-mid="29988939"  border="0" align="left"/&#62;
(L) a Metrocard for 6 nutmegs
(R) a to do list &#38; a drawing for 3 nutmegs



 &#60;img src="http://payload163.cargocollective.com/1/3/103655/5561306/phas_object4_860.jpg" width="720" height="480" width_o="720" height_o="480" src_o="http://payload163.cargocollective.com/1/3/103655/5561306/phas_object4_o.jpg" data-mid="29988948"  border="0" align="left"/&#62;
(L) a construction for sweater-making for 1 nutmeg
(R) a notebook and three candy wrappers for 7 nutmegs



&#60;img src="http://payload163.cargocollective.com/1/3/103655/5561306/phas_object5_860.jpg" width="720" height="480" width_o="720" height_o="480" src_o="http://payload163.cargocollective.com/1/3/103655/5561306/phas_object5_o.jpg" data-mid="29988977"  border="0" align="left"/&#62;
a match for 1 nutmeg



&#60;img src="http://payload163.cargocollective.com/1/3/103655/5561306/phas_object8_860.jpg" width="720" height="480" width_o="720" height_o="480" src_o="http://payload163.cargocollective.com/1/3/103655/5561306/phas_object8_o.jpg" data-mid="29988984"  border="0" align="left"/&#62;
(L) a business card &#38; an art movement idea for 6 nutmegs
(R) a tampon case for 6 nutmegs



&#60;img src="http://payload163.cargocollective.com/1/3/103655/5561306/phas_object9_860.jpg" width="720" height="480" width_o="720" height_o="480" src_o="http://payload163.cargocollective.com/1/3/103655/5561306/phas_object9_o.jpg" data-mid="29988997"  border="0" align="left"/&#62;
(L) a lighter for 1 nutmeg
(R) a sachet of almond butter for 10 nutmegs



&#60;img src="http://payload163.cargocollective.com/1/3/103655/5561306/phas_object11_860.jpg" width="706" height="459" width_o="706" height_o="459" src_o="http://payload163.cargocollective.com/1/3/103655/5561306/phas_object11_o.jpg" data-mid="29989002"  border="0" align="left"/&#62;
(L) a case and a woodcut for 3 nutmegs
(LC) a drawing, a sculpture for full tupperware of nutmegs (approximately 100 nutmegs)
(RC) a used chapstick for 1 nutmeg
(R) a highlighter and a decorative coin for 5 nutmegs</description>
		
		<excerpt>Please Have a Seat is an ongoing project that takes cue from a particular historical snapshot during the Second Anglo-Dutch War in the 17th century. Treaty of Breda...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload163.cargocollective.com/1/3/103655/5561306/prt_1367912632.jpg" />

	</item>
		
		
	<item>
		<title>Touch Around You (2012)</title>
				
		<link>http://www.catalogfelisia.com/Touch-Around-You-2012</link>

		<comments>http://www.catalogfelisia.com/following/catalogfelisia.com/Touch-Around-You-2012</comments>

		<pubDate>Fri, 17 Feb 2012 20:20:27 +0000</pubDate>

		<dc:creator>catalogfelisia</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">2831572</guid>

		<description>A neon sign "Touch Around You" was on display inside a storefront window of Center for Performance Research (CPR) in Williamsburg, Brooklyn. Behind the sign, various strangers' hands interacted with each other resulting in unchoreographed, impromptu movements that became a form of spectacle for viewers, gazers and passers-by outside the exhibition space. 

The installation was on display on Feb 3-4, 2012 in a group show Object as Performer that brought together a variety of dance, performance, video and installation artists whose work centers around elevating inanimate objects beyond the role of a simple prop. 


&#60;img src="http://payload26.cargocollective.com/1/3/103655/2831572/DSC_0009.jpg" width="647" height="433" width_o="647" height_o="433" src_o="http://payload26.cargocollective.com/1/3/103655/2831572/DSC_0009_o.jpg" data-mid="14383780"  border="0" align="left"/&#62;&#60;img src="http://payload26.cargocollective.com/1/3/103655/2831572/DSC_0015.jpg" width="647" height="433" width_o="647" height_o="433" src_o="http://payload26.cargocollective.com/1/3/103655/2831572/DSC_0015_o.jpg" data-mid="14383785"  border="0" align="left"/&#62;&#60;img src="http://payload26.cargocollective.com/1/3/103655/2831572/DSC_0028.jpg" width="648" height="433" width_o="648" height_o="433" src_o="http://payload26.cargocollective.com/1/3/103655/2831572/DSC_0028_o.jpg" data-mid="14383788"  border="0" align="left"/&#62;</description>
		
		<excerpt>A neon sign "Touch Around You" was on display inside a storefront window of Center for Performance Research (CPR) in Williamsburg, Brooklyn. Behind the sign,...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload26.cargocollective.com/1/3/103655/2831572/prt_1367887027.jpg" />

	</item>
		
		
	<item>
		<title></title>
				
		<link>http://www.catalogfelisia.com/2058478</link>

		<comments>http://www.catalogfelisia.com/following/catalogfelisia.com/2058478</comments>

		<pubDate>Mon, 26 Sep 2011 14:20:09 +0000</pubDate>

		<dc:creator>catalogfelisia</dc:creator>
		
		<category><![CDATA[nature, image processing, reproduction]]></category>

		<guid isPermaLink="false">2058478</guid>

		<description>Separation/Addition
2011
Archival inkjet ink on various materials (vellum papers, lycra)


&#60;img src="http://payload.cargocollective.com/1/3/103655/2058478/cmyk_forweb (1)_860.jpg" width="860" height="139" width_o="1200" height_o="194" src_o="http://payload.cargocollective.com/1/3/103655/2058478/cmyk_forweb (1)_o.jpg" data-mid="10249596"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2058478/rgb_forweb (1)_860.jpg" width="860" height="187" width_o="891" height_o="194" src_o="http://payload.cargocollective.com/1/3/103655/2058478/rgb_forweb (1)_o.jpg" data-mid="10249600"  border="0" align="left"/&#62;</description>
		
		<excerpt>Separation/Addition 2011 Archival inkjet ink on various materials (vellum papers, lycra)   </excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/3/103655/2058478/prt_1367966373.jpg" />

	</item>
		
		
	<item>
		<title></title>
				
		<link>http://www.catalogfelisia.com/2058302</link>

		<comments>http://www.catalogfelisia.com/following/catalogfelisia.com/2058302</comments>

		<pubDate>Mon, 26 Sep 2011 14:00:01 +0000</pubDate>

		<dc:creator>catalogfelisia</dc:creator>
		
		<category><![CDATA[image, psychology, perception]]></category>

		<guid isPermaLink="false">2058302</guid>

		<description>Measuring Perspective
2010
Mixed media // archival inkjet prints, mylar, box, audio

The mixed media installation takes place in a room where a soundtrack of Philip Glass from the album “Nayqoyatsi” played. The viewers' guidance occurred in the form of strips of light peaking on every side of five boxes’ lids placed in the room. The five black boxes are arranged next to each other in sequence. Upon opening the lid of a box, an image inside of a 5x7 illuminated box is placed on the bottom, glowing the entire space of the box. As part of the process, this glowing image creates the first stage (or premature) perception in the mind. The second perception occurs as the faces of the viewers reflected on the mylar placed in the interior part of the lid. The third perception (“the interactive perception”) emerges in the connection of the photo, the image in the mirror and the fragile self-reflection of the viewer. The result is a sequential triangle relationship integrates in the vulnerable yet intense condition. The black box is a metaphor of human psychological condition.

(installation photos)
&#60;img src="http://payload.cargocollective.com/1/3/103655/2058302/measuringperceptionstill1.jpg" width="640" height="427" width_o="640" height_o="427" src_o="http://payload.cargocollective.com/1/3/103655/2058302/measuringperceptionstill1_o.jpg" data-mid="10248964"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2058302/measuringperceptionstill2.jpg" width="648" height="433" width_o="648" height_o="433" src_o="http://payload.cargocollective.com/1/3/103655/2058302/measuringperceptionstill2_o.jpg" data-mid="10248966"  border="0" align="left"/&#62;</description>
		
		<excerpt>Measuring Perspective 2010 Mixed media // archival inkjet prints, mylar, box, audio  The mixed media installation takes place in a room where a soundtrack of Philip...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/3/103655/2058302/prt_1367966687.jpg" />

	</item>
		
		
	<item>
		<title></title>
				
		<link>http://www.catalogfelisia.com/2058194</link>

		<comments>http://www.catalogfelisia.com/following/catalogfelisia.com/2058194</comments>

		<pubDate>Mon, 26 Sep 2011 13:37:09 +0000</pubDate>

		<dc:creator>catalogfelisia</dc:creator>
		
		<category><![CDATA[pre-judgement, objectification]]></category>

		<guid isPermaLink="false">2058194</guid>

		<description>Shoebites
2009
Mixed media // C-print, lightbox, mylar

This voyeuristic work is a small-scale study to perception and prejudice: individuals recognize and perceive certain objects, and the objects give associations to a specific social environment. The written text is a quote from a scene of "The Vagina Monologues," and it takes position below the image as a comparison tool to the objectification of the subject in the image.

(installation photos)
&#60;img src="http://payload.cargocollective.com/1/3/103655/2058194/untitledlightbox4-copy_860.jpg" width="695" height="521" width_o="695" height_o="521" src_o="http://payload.cargocollective.com/1/3/103655/2058194/untitledlightbox4-copy_o.jpg" data-mid="10248362"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2058194/untitledlightbox copy_860.jpg" width="695" height="513" width_o="695" height_o="513" src_o="http://payload.cargocollective.com/1/3/103655/2058194/untitledlightbox copy_o.jpg" data-mid="10248390"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2058194/untitledlightbox3 copy_860.jpg" width="695" height="465" width_o="695" height_o="465" src_o="http://payload.cargocollective.com/1/3/103655/2058194/untitledlightbox3 copy_o.jpg" data-mid="10248404"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2058194/untitledlightbox5 copy_860.jpg" width="695" height="463" width_o="695" height_o="463" src_o="http://payload.cargocollective.com/1/3/103655/2058194/untitledlightbox5 copy_o.jpg" data-mid="10248407"  border="0" align="left"/&#62;</description>
		
		<excerpt>Shoebites 2009 Mixed media // C-print, lightbox, mylar  This voyeuristic work is a small-scale study to perception and prejudice: individuals recognize and perceive...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/3/103655/2058194/prt_1367966550.jpg" />

	</item>
		
		
	<item>
		<title></title>
				
		<link>http://www.catalogfelisia.com/2057890</link>

		<comments>http://www.catalogfelisia.com/following/catalogfelisia.com/2057890</comments>

		<pubDate>Mon, 26 Sep 2011 13:13:32 +0000</pubDate>

		<dc:creator>catalogfelisia</dc:creator>
		
		<category><![CDATA[public vs private, surveillance, voyeurism]]></category>

		<guid isPermaLink="false">2057890</guid>

		<description>at the beginning is the end
2010
Mixed media // archival inkjet prints, text on vellum paper, ipod shuffle


This work investigates through the frame of a simple, mundane activity in every day life. Two separate bathroom activities were recorded using a hidden audio recorder. The action in the morning ('at the beginning') and the action in the evening ('the end') becomes a point of reference of the subject in this voyeuristic documentation process. It introduces issues of private versus public space. The work challenges the listeners of what they can and cannot acknowledge from the two processes to find a comparison as well as similarities of the two, and to link all together as an infinite circuit.

Exhibited at 
25CPW, Bloomsday, 2010


(installation photos)
&#60;img src="http://payload.cargocollective.com/1/3/103655/2057890/at_the_beginning_is_the_end_doc_10.jpg" width="469" height="588" width_o="469" height_o="588" src_o="http://payload.cargocollective.com/1/3/103655/2057890/at_the_beginning_is_the_end_doc_10_o.jpg" data-mid="10247728"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2057890/at_the_beginning_is_the_end_doc_12.jpg" width="576" height="469" width_o="576" height_o="469" src_o="http://payload.cargocollective.com/1/3/103655/2057890/at_the_beginning_is_the_end_doc_12_o.jpg" data-mid="10247732"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2057890/at_the_beginning_is_the_end_doc_14.jpg" width="612" height="469" width_o="612" height_o="469" src_o="http://payload.cargocollective.com/1/3/103655/2057890/at_the_beginning_is_the_end_doc_14_o.jpg" data-mid="10247733"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2057890/36108_405384364770_833074770_4117900_6033424_cropped.jpg" width="383" height="479" width_o="383" height_o="479" src_o="http://payload.cargocollective.com/1/3/103655/2057890/36108_405384364770_833074770_4117900_6033424_cropped_o.jpg" data-mid="10247726"  border="0" align="left"/&#62;</description>
		
		<excerpt>at the beginning is the end 2010 Mixed media // archival inkjet prints, text on vellum paper, ipod shuffle   This work investigates through the frame of a simple,...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/3/103655/2057890/prt_1367966269.jpg" />

	</item>
		
		
	<item>
		<title></title>
				
		<link>http://www.catalogfelisia.com/2051075</link>

		<comments>http://www.catalogfelisia.com/following/catalogfelisia.com/2051075</comments>

		<pubDate>Mon, 26 Sep 2011 10:24:34 +0000</pubDate>

		<dc:creator>catalogfelisia</dc:creator>
		
		<category><![CDATA[photography, mass production, institutional critique]]></category>

		<guid isPermaLink="false">2051075</guid>

		<description>Catalog Disposable Images
2010
11"x12"
Full-color offset newsprint tabloid (unbound)

&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi1_860.jpg" width="695" height="463" width_o="695" height_o="463" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi1_o.jpg" data-mid="10244820"  border="0" align="left"/&#62;

The 32-page Catalog of Disposable Images engages the viewer in a dialog around the existing normality of current photography practices. The work humbly offers participants an institutional critique in the form of an economically mass-produced object.

Exhibited at 
 X-Initiative, BYOA,  2010
Pingyao Photo Festival, Young Artist Emerging in America, 2010
International Center of Photography, Pluperfect, 2010

In collection
Center for Book Arts
Printed Matter


&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg1_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg1_o.jpg" data-mid="10244494"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg2_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg2_o.jpg" data-mid="10244498"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg3_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg3_o.jpg" data-mid="10244505"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg5_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg5_o.jpg" data-mid="10244527"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg6_5_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg6_5_o.jpg" data-mid="10244564"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg7_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg7_o.jpg" data-mid="10244568"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg8_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg8_o.jpg" data-mid="10244571"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg9_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg9_o.jpg" data-mid="10244574"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg10_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg10_o.jpg" data-mid="10244579"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg11_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg11_o.jpg" data-mid="10244582"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg12_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg12_o.jpg" data-mid="10244588"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg13_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg13_o.jpg" data-mid="10244594"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg14_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg14_o.jpg" data-mid="10244598"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg15_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg15_o.jpg" data-mid="10244599"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg16_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg16_o.jpg" data-mid="10244601"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg17_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg17_o.jpg" data-mid="10244604"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg18_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg18_o.jpg" data-mid="10244609"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg19_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg19_o.jpg" data-mid="10244612"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg20_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg20_o.jpg" data-mid="10244616"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg21_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg21_o.jpg" data-mid="10244620"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg22_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg22_o.jpg" data-mid="10244622"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg23_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg23_o.jpg" data-mid="10244625"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg24_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg24_o.jpg" data-mid="10244627"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg25_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg25_o.jpg" data-mid="10244630"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg26_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg26_o.jpg" data-mid="10244632"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg27_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg27_o.jpg" data-mid="10244635"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg28_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg28_o.jpg" data-mid="10244638"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg29_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg29_o.jpg" data-mid="10244639"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg30_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg30_o.jpg" data-mid="10244641"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg31_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg31_o.jpg" data-mid="10244643"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg32_860.jpg" width="860" height="938" width_o="1584" height_o="1728" src_o="http://payload.cargocollective.com/1/3/103655/2051075/codi_pg32_o.jpg" data-mid="10244647"  border="0" align="left"/&#62;</description>
		
		<excerpt>Catalog Disposable Images 2010 11"x12" Full-color offset newsprint tabloid (unbound)    The 32-page Catalog of Disposable Images engages the viewer in a dialog...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/3/103655/2051075/prt_1367966030.jpg" />

	</item>
		
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